Eleanor Voss
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Literary Fiction · 2024

The Quiet Hours

by Eleanor Voss

Set over the course of a single winter in rural County Clare, The Quiet Hours follows Mara as she returns to the family home after her mother's death — only to find that silence, too, can tell stories. A luminous meditation on grief, inheritance, and the words we never said in time.

Publisher Marble Arch Press
Published September 2024
Pages 312
Genre Literary Fiction
Critical Praise
"Voss writes grief the way light moves through old glass — refracted, unexpected, devastatingly beautiful. The Quiet Hours is the kind of book that rearranges something in you."
Sinéad O'Donnell Author of The Estuary
"A slow burn of a novel that earns every one of its silences. Voss trusts her reader completely — and that trust is its own kind of intimacy."
The Guardian Books of the Season, 2024
"Once in a few years a novel arrives that makes you feel the full weight of what fiction can do. The Quiet Hours is one of those books."
The Irish Times ★★★★★
"Spare, shattering, sublime. Voss has written not just a novel about loss but a novel that is loss — shapely and present and impossible to hold."
Malaika Tem Booker Prize judge, 2023
An Excerpt

The house was cold in the way that houses become cold when they are no longer being lived in — not the cold of winter or neglect, but of held breath, of rooms preparing themselves. Mara stood in the hall and listened to it: the hiss of radiators that had not yet been turned on, the creak of floorboards settling, and beneath all of it, the particular quiet she had been dreading for weeks before the phone rang.

Her mother's coat still hung by the door. A green waxed thing, stiff at the collar, with a smell Mara couldn't think about yet. She had not touched it. She had gone straight to the kitchen, as one does, and boiled the kettle, and stood looking at the wall while the steam rose.

There was a word for it, she thought — this quality of after. Not silence exactly. Something denser. The house had spent seventy-one years filling itself with her mother's breath, her footsteps, the small sounds of a life being conducted steadily, without drama. And now it was trying to remember what it had been before all that. It could not. Neither could Mara.

She poured the tea and did not drink it. Outside, the January light fell pale across the field, and the Burren sat at the horizon the way it always had — enormous, indifferent, offering nothing except its own persistence. She had always found it comforting. Today it only confirmed what she suspected: that the world had not changed at all, and she was the one who was wrong now.

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